Images of folks doing things usually are much more interesting than people sitting passively doing nothing. For one your subject will probably be focussed upon a thing that adds energy with a photo (and takes their focus off you) just about all puts them in context and adds a component of story to your image. Timing is everything in Candid shots so delay until they are distracted by you and fully focussed upon what they’re doing or who they may be with and you’ll inject thoughts into your shots of these being unaware knowning that the viewer of the image is looking on unseen.
Something worth it to read happens when you photograph more than one person in an image at a time – Canon 7D Mark II Battery introduces relationship in to the shot. Even if the two (or even more) everyone is not really interacting within the shot it could add depth as well as a sense of story in to the viewing in the image. Of course ideally in candid shots you’d like some interaction between your subjects as that will add emotion in the shot also even as we the viewer discover how the individuals are acting.
If your subject understands that you’re there understanding that you have you guessed it-your camera out they might tense up or act a little unnaturally while they see you raising you got it to the eye. The appeal of digital cameras is it doesn’t set you back anything to take a lot of shots and it could be well worth shooting without raising your camera. To do this most effectively you might want to set your lens to some wider angle setting to create up for almost any aiming problems you could have.
The other beauty of shooting from the hip is that it will give you a slightly different perspective to accept shot from (i.e. shooting from 3 feet height instead of 6). This adds on the candid nature from the shots. In fact sometimes it’s the slightly crooked, slightly out of focus or poorly composed shots taken from this type of angle that ultimately ends up looking the very best because they seem quite random. Of course you can add all these new perspectives to your shots without shooting in the hip. Crouch down, wake up high, frame your shots while on an angle, zoom in close and then quickly zoom out to some wide angle, break the policies of composition etc and you may add a 84devypky perspective to your shots that can mean they are fresh and surprising.
A trick that I often use in candid shots would be to purposely include something in the foreground from the shot to generate it look that I’m hiding behind it. You might try this with by shooting over someone’s shoulder, by including a little of a tree branch or the frame of your doorway.
One of my personal favorite times to shoot candid shots happens when other folks are taking formal ones. This is because everyone inside shot is focused around the one element (another photographer) – but it’s not you. If the primary photographer has posed the happy couple in the day or their bridal partly look to get a different angle in their mind to take a shot in the same subject. Often if you take a few steps on the side and shoot from almost an account position you are able to get great shots. Also zooming in to take shots of a single or two in the people in a larger group at these times can function well. Also try zooming right over to take a shot from the photographer in addition to their subject in one. If you’re the one photographer and you’re taking formal shots a fantastic technique is usually to take your posed shot after which continue to shoot after everyone thinks you’ve finished. It’s the shots immediately after the posed one that are the best as people relax and look at each other.